OK, so things just get crazier. Last week I read an interview with Inez van Lamsweerde who is a photographer that has worked on the last 8 of Bjork's album covers. In the interview she shares highlights relating to each cover.
In reference to the latest album she states:
"Björk sent a beautiful video of a spider molting out of its own skin and becoming translucent, and then filling up with color again. For her, that was really the basis of the imagery around this album, this transformation and soft, waxy, yellow-pink coloring—and again, the idea of having emotions circling around her. She said she wanted to have a wound on her body, on her heart area, in an abstract way."
https://www.artsy.net/article/editorial-as-bjork-opens-at-moma-behind-the
So it would seem she had the video in mind even before the album art was designed. The thought of Bjork sitting watching my video while suffering through her separation breaks my heart, while simultaneously filling me with warmth. It's one thing to know she'd seen it and liked it. It's quite another to know it was part of her healing process and influenced her artistically.
I can clearly see the molting process artistically interpreted in this video; the shallow depth of field in the opening shots of the black dead carapace, she's upside down, the split in the chest where she was wounded used to escape rather than the back as it is for most insects, her fingers drawing out the threads in much the same way the whipspider draws out its long feelers, and the motion of her hands as she sows up her wound reminds me of the whipspider feeling its new body with its feet.
Björk: Family (moving album cover)
https://www.youtube.com/watch?v=HAXvkbOzK6E
Tailless Whipspider molt - UP CLOSE
https://www.youtube.com/watch?v=5uzuYRY2faQ
Björk Debuts Virtual Reality "Stonemilker" Video
...
My experience with Bjork that summer involved her wearing a fitted sculptural black dress, pounding her chest in frigid temperatures, reliving her separation on camera while kneeling in a jagged ravine carved away by glaciers.
The woman we found in November was much different: her home was adorned with lilac candles, the air was moist and thick with neon yellow garments hanging and the tables covered in creamy lilac latex. There was a feeling of soft, translucent skinlike textures everywhere, evoking a sense of healing,
molting and nakedness. This was the new Bjork we captured in "Stonemilker."
...
http://pitchfork.com/news/58920-bjork-debuts-virtual-reality-stonemilker-video/